Dennis Lee Hopper (May 17, 1936 – May 29, 2010) was an American actor, filmmaker, photographer and visual artist. He is considered one of the key figures of the New Hollywood era. He earned prizes from the Cannes Film Festival and Venice International Film Festival as well as nominations for two Academy Awards, a Primetime Emmy Award and two Golden Globe Awards.
Hopper studied acting at the Old Globe Theatre in San Diego and the Actors Studio in New York. He made his first television appearance in 1954, and soon after appeared in two of the films that made James Dean famous, Rebel Without a Cause (1955) and Giant (1956). He then played supporting roles in films such as Gunfight at the O.K. Corral (1957), The Sons of Katie Elder (1965), Cool Hand Luke (1967), Hang 'Em High (1968) and True Grit (1969). Hopper made his directorial film debut with Easy Rider (1969), which he and co-star Peter Fonda wrote with Terry Southern. The film earned Hopper a Cannes Film Festival Award for Best Debut, and an Academy Award nomination for Best Original Screenplay. He also began a prolific and acclaimed photography career in the 1960s.
He became frequently typecast as mentally disturbed outsiders and rebels in such films as Mad Dog Morgan (1976), The American Friend (1977), Apocalypse Now (1979), Rumble Fish (1983), and Blue Velvet (1986). He received an Academy Award for Best Supporting Actor nomination for his role in Hoosiers (1986). His later film roles included True Romance (1993), Speed (1994), Waterworld (1995) and Elegy (2009). He appeared posthumously in the long-delayed The Other Side of the Wind (2018), which had previously been filmed in the early 1970s.
Other directorial credits for Hopper include The Last Movie (1971), Out of the Blue (1980), Colors (1988), and The Hot Spot (1990). He received Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie nomination for his role in Paris Trout (1991). His other television roles include in the HBO film Doublecrossed (1991), 24 (2002), the NBC series E-Ring (2005–2006), and the Starz series Crash (2008–2009).
Early life and education Dennis Lee Hopper was born on May 17, 1936, in Dodge City, Kansas, to Marjorie Mae (née Davis; July 12, 1917 – January 12, 2007)Staff (March 11, 2008). Dennis Hopper – Republican Hopper considers a vote for Obama . ContactMusic.com. Retrieved May 29, 2010. and Jay Millard Hopper (June 23, 1916 – August 7, 1982). He had Scottish ancestors. Hopper had two younger brothers, Marvin and David. Archived June 5, 2010.
After World War II, the family moved to Kansas City, Missouri, where the young Hopper attended Saturday art classes at the Kansas City Art Institute. When he was 13, Hopper and his family moved to San Diego, where his mother worked as a lifeguard instructor and his father was a post office manager, having previously served in the Office of Strategic Services, the precursor to the Central Intelligence Agency, in World War II in the China Burma India Theater. Hopper was voted most likely to succeed at Helix High School, where he was active in the drama club, speech and choir. It was there that he developed an interest in acting, studying at the Old Globe Theatre in San Diego, and the Actors Studio in New York City (he studied with Lee Strasberg for five years). Hopper struck up a friendship with actor Vincent Price, whose passion for art influenced Hopper's interest in art. He was especially fond of the plays of William Shakespeare.
Career 1954–1966: Early roles
Hopper was reported to have had an uncredited role in Johnny Guitar in 1954, but he was quoted as saying he was not in Hollywood when the film was made.Murray, Noel (December 2, 2008). Random Roles with Dennis Hopper . The A.V. Club, Onion Inc. Retrieved May 29, 2010. Hopper made his debut on film in two roles with James Dean (whom he admired immensely) in Rebel Without a Cause (1955) and Giant (1956). Dean's death in a car accident in September 1955 affected the young Hopper deeply and it was shortly afterward that he got into a confrontation with veteran director Henry Hathaway on the film From Hell to Texas (1958). Hopper reportedly forced Hathaway to shoot more than 80 takes of a scene over several days before he acquiesced to Hathaway's direction. After filming was finally completed, Hathaway allegedly told Hopper that his career in Hollywood was finished.
In his book Last Train to Memphis, American popular music historian Peter Guralnick says that in 1956, when Elvis Presley was making his first film in Hollywood, Hopper was roommates with fellow actor Nick Adams and the three became friends and socialized together. In 1959, Hopper moved to New York to study Method acting under Lee Strasberg at the Actors Studio.Noever, Peter. Dennis Hopper: a System of Moments, Hatje Cantz Publishers (2001) p. 258 In 1961, Hopper played his first lead role in Night Tide, an atmospheric supernatural thriller involving a mermaid in an amusement park. In a December 1994 interview on the Charlie Rose Show, Hopper credited John Wayne with saving his career, as Hopper acknowledged that because of his insolent behavior, he could not find work in Hollywood for seven years. Hopper stated that, because of his marriage to Brooke Hayward, he was the son-in-law of actress Margaret Sullavan, a friend of John Wayne, and Wayne hired Hopper for a role in The Sons of Katie Elder (1965), also directed by Hathaway, which enabled Hopper to restart his film career.Charlie Rose (December 21, 1994). Dennis Hopper Interview (video). CharlieRose.com; Charlie Rose LLC. Retrieved May 29, 2010.
Hopper debuted in an episode of the Richard Boone television series Medic in 1955, portraying a young epileptic. He appeared in the first episode of the TV series The Rifleman (1958–1963) as the troubled orphan protagonist Vernon Tippet who is exploited by his greedy uncle. The series starred Chuck Connors and the premiere episode "The Sharpshooter" was written by Sam Peckinpah. Hopper subsequently appeared in over 140 episodes of television shows such as Gunsmoke, Bonanza, Petticoat Junction, The Twilight Zone, The Barbara Stanwyck Show, The Defenders, The Investigators, The Legend of Jesse James, Entourage, The Big Valley, The Time Tunnel, and Combat!.
1967–1986: Breakthrough and acclaim
Hopper had a supporting role as the bet-taker, "Babalugats", in Cool Hand Luke (1967). In 1968, Hopper teamed with Peter Fonda, Terry Southern and Jack Nicholson to make Easy Rider, which premiered in July 1969. With the release of True Grit a month earlier, Hopper had starring roles in two major box-office films that summer. Hopper won wide acclaim as the director for his improvisational methods and innovative editing for Easy Rider. The production was plagued by creative differences and personal acrimony between Fonda and Hopper, the dissolution of Hopper's marriage to Brooke Hayward, his unwillingness to leave the editor's desk and his accelerating abuse of drugs and alcohol. Hopper said of Easy Rider: "The cocaine problem in the United States is really because of me. There was no cocaine before Easy Rider on the street. After Easy Rider, it was everywhere".
Besides showing drug use on film, it was one of the first films to portray the hippie lifestyle. Hopper became a role model for some male youths who rejected traditional jobs and traditional American culture, partly exemplified by Fonda's long sideburns and Hopper wearing shoulder-length hair and a long mustache. They were denied rooms in motels and proper service in restaurants as a result of their radical looks.Hillman, Betty Luther. Dressing for the Culture Wars: Style and the Politics of Self-Presentation in the 1960s and 1970s, Univ. of Nebraska Press (2015) e-book Their long hair became a point of contention in various scenes during the film. Journalist Ann Hornaday wrote: "With its portrait of counterculture heroes raising their middle fingers to the uptight middle-class hypocrisies, Easy Rider became the cinematic symbol of the 1960s, a celluloid anthem to freedom, macho bravado and anti-establishment rebellion". Film critic Matthew Hays wrote "no other persona better signifies the lost idealism of the 1960s than that of Dennis Hopper".
Hopper was unable to capitalize on his Easy Rider success for several years. In 1970 he filmed The Last Movie, cowritten by Stewart Stern and photographed by László Kovács in Peru, and completed production in 1971. It won the prestigious CIDALC Award at that year's Venice Film Festival, but Universal Studios leaders expected a blockbuster like Easy Rider, and did not like the film or give it an enthusiastic release, while American film audiences found it confounding – as convoluted as an abstract painting. On viewing the first release print, fresh from the lab, in his screening room at Universal, MCA founder Jules C. Stein rose from his chair and said, "I just don't understand this younger generation."Rol Murrow, quoted in book HOPPER by Tom Folsom (2013) During the tumultuous editing process, Hopper ensconced himself at the Mabel Dodge Luhan House in Taos, New Mexico, which he had purchased in 1970, for almost an entire year. In between contesting Fonda's rights to the majority of the residual profits from Easy Rider, he married singer Michelle Phillips of The Mamas and the Papas on Halloween of 1970. The marriage lasted eight days.
Hopper acted in another John Wayne film, True Grit (1969), and during its production, he became well acquainted with Wayne. In both of the films with Wayne, Hopper's character is killed in the presence of Wayne's character, to whom he utters his dying words. On September 30, 1970, Hopper appeared on the second episode of season 2 of The Johnny Cash Show where he sang a duet with Cash entitled "Goin' Up Goin' Down". Cash said the song was written by Kris Kristofferson about Hopper. Hopper added that Kristofferson had written some songs for his Peruvian-shot movie The Last Movie, in which Kristofferson appeared in his debut role with Julie Adams. Hopper also recited Rudyard Kipling's famous poem If— during his appearance. Hopper was able to sustain his lifestyle and a measure of celebrity by acting in numerous low budget and European films throughout the 1970s as the archetypal "tormented maniac", including Mad Dog Morgan (1976), Tracks (1976), and The American Friend (1977). With Francis Ford Coppola's blockbuster Apocalypse Now (1979), Hopper returned to prominence as a hyper-manic Vietnam-era photojournalist. Stepping in for an overwhelmed director, Hopper won praise in 1980 for his directing and acting in Out of the Blue. Immediately thereafter, Hopper starred as an addled short-order cook "Cracker" in the Neil Young/Dean Stockwell low-budget collaboration Human Highway. Production was reportedly often delayed by his unreliable behavior. Peter Biskind states in the New Hollywood history Easy Riders, Raging Bulls that Hopper's cocaine intake had reached three grams a day by this time, complemented by 30 beers, and some marijuana and Cuba libres.
After staging a "suicide attempt" (really more of a daredevil act) in a coffin using 17 sticks of dynamite during an "art happening" at the Rice University Media Center (filmed by professor and documentary filmmaker Brian Huberman), and later disappearing into the Mexican desert during a particularly extravagant bender, Hopper entered a drug rehabilitation program in 1983.